July 26, 2025 Fantasia Fest 2025 Review: Alex Phillips’ “Anything That Moves” Envisions a Loss of Innocence From Another Perspective
July 26, 2025 Fantasia Fest 2025 Review: Alex Phillips’ “Anything That Moves” Envisions a Loss of Innocence From Another Perspective
January 23, 2023 Sundance 2023 Interview: Luis Fernando Puente on a Questionable Process in “I Have No Tears, and I Must Cry”
January 23, 2023 Sundance 2023 Review: A Larger Tragedy Emerges from a Disappearance in Erica Tremblay’s “Fancy Dance”
January 23, 2023 Sundance 2023 Review: Sebastian Silva’s “Rotting in the Sun” Finds a Director At His Best on His Worst Behavior
January 21, 2023 Sundance 2023 Review: A Divided Land Creates a Conflicted Mind in the Emotionally Rich “Milisuthando”
January 21, 2023 Sundance 2023 Interview: Andrew Fitzgerald on the Balancing Act of “The Family Circus”
January 21, 2023 Sundance 2023 Review: Noora Niasari’s “Shayda” Powerfully Outlines a Prison Without Bars
January 21, 2023 Sundance 2023 Review: “Aum: The Cult at the End of the World” Compelllingly Chronicles a Cultural Catastrophe
January 21, 2023 Sundance 2023 Review: A Sharpshooter Questions His Aim in David Zonana’s Absorbing “Heroic”
January 20, 2023 Sundance 2023 Interview: Danny and Michael Philippou on Taking Fate Into their Own Hands in “Talk to Me”
