December 12, 2024 Peter Browngardt on a New Employment for Daffy Duck and Porky Pig in “The Day the Earth Blew Up”
December 12, 2024 José Avelino Gilles Corbett Lourenço on Having a Story to Tell with “Young Werther”
December 12, 2024 Peter Browngardt on a New Employment for Daffy Duck and Porky Pig in “The Day the Earth Blew Up”
December 12, 2024 José Avelino Gilles Corbett Lourenço on Having a Story to Tell with “Young Werther”
October 30, 2023 AFI Fest 2023 Review: “Smoke Sauna Sisterhood” Affords a Chance to Blow Off Some Steam
October 19, 2023 Chicago Film Fest 2023: Ena Sendijarević’s “Sweet Dreams” Gives a Tasteful Candy Coating to a Bitter History
October 13, 2023 Chicago Film Fest 2023 Review: Haroula Rose’s “All Happy Families” Finds Joy in Others’ Misery
October 13, 2023 Chicago Film Fest 2023 Review: A Tragic Accident Leads to Noble Intent in Mohamed Kordofani’s Deeply Affecting “Goodbye Julia”
October 9, 2023 Beyond Fest 2023 Review: The Dawn of a New Day Lies Past a Late Night Massacre in “Last Straw”
October 7, 2023 Hamptons Film Fest 2023 Review: A Bridge is Built to Stand the Test of Time in Finn Taylor’s “Avenue of the Giants”
October 3, 2023 TIFF 2023 Review: A Once Tight-Knit Commune Picks Up Loose Threads in Lukas Moodysson’s “Together 99”
September 27, 2023 TIFF 2023 Review: Ava DuVernay’s “Origin” Powerfully Recasts a Conversation About Inequality
September 26, 2023 Fantastic Fest 2023 Review: A Couple Finds Clarity in a Real Mess in Chris Skotchdopole’s Deliciously Devious “Crumb Catcher”
September 25, 2023 Fantastic Fest 2023 Review: A Threat From Above Exposes One Within in Richard Karpala & Gabriel Bienczycki’s “Falling Stars”
September 23, 2023 Fantastic Fest 2023 Review: Andrew Cumming’s “Out of Darkness” Discovers Fire in the Stone Age
September 21, 2023 TIFF 2023 Review: Michael Winterbottom’s “Shoshana” Finds a Conflict of Interest to Deliver Suspense
