March 14, 2026 SXSW 2026 Review: “Summer 2000: The X-Cetera Story” Lets the Record Show the Truth About Girlhood
March 14, 2026 SXSW 2026 Review: A Murder Investigation Leads to Some Larger Questions About Community in Rachel Mason’s “My Brother’s Killer”
March 14, 2026 SXSW 2026 Review: An Heiress Faces a Sink-or-Swim Moment in the Strange But True “Amazing Live Sea Monkeys”
March 14, 2026 SXSW 2026 Review: “Summer 2000: The X-Cetera Story” Lets the Record Show the Truth About Girlhood
March 14, 2026 SXSW 2026 Review: A Murder Investigation Leads to Some Larger Questions About Community in Rachel Mason’s “My Brother’s Killer”
March 14, 2026 SXSW 2026 Review: An Heiress Faces a Sink-or-Swim Moment in the Strange But True “Amazing Live Sea Monkeys”
November 7, 2019 DOC NYC ’19 Review: A Community is Brought Together by a Con in Martha Shane’s “Narrowsburg”
November 21, 2018 DOC NYC ’18 Interview: Molly Bernstein & Philip Dolin on Amping Up the History of Concert Promoters with “The Show’s the Thing”
November 21, 2018 DOC NYC ’18 Interview: Producer Rupert Maconick on the Perseverance of Craft in “Takumi”
November 15, 2018 DOC NYC ’18 Interview: Tracy Droz Tragos on Keeping Up with “The Smartest Kids in the World”
November 12, 2018 DOC NYC ’18 Interview: Lisa F. Jackson & Sarah Teale on the Construction of a Dream Vacation Community Turned Local Nightmare in “Patrimonio”
November 14, 2016 DOC NYC ’16 Interview: Ricki Stern on Going the Distance with Survivors of Terrorism in “Marathon”
November 12, 2016 DOC NYC ’16 Interview: Kimi Takesue on Riding Waves of Rediscovery in “95 and 6 to Go”
