October 29, 2026 William Lafi Youmans and Jason Osder on a Crime With Ongoing Casualties in “Who Killed Alex Odeh”
October 28, 2026 Daniel Lombroso on Injecting Some Serious Reflection Into the Male Enhancement Doc “Manhood”
October 27, 2026 Itab Azzam and Jack MacInnes on Finding New Places to Explore in the Refugee Tale “One in a Million”
October 29, 2026 William Lafi Youmans and Jason Osder on a Crime With Ongoing Casualties in “Who Killed Alex Odeh”
October 28, 2026 Daniel Lombroso on Injecting Some Serious Reflection Into the Male Enhancement Doc “Manhood”
October 27, 2026 Itab Azzam and Jack MacInnes on Finding New Places to Explore in the Refugee Tale “One in a Million”
November 12, 2021 DOC NYC 2021 Review: A Ramen Shop Serves Up Something Deeply Satisfying in “Come Back Anytime”
November 11, 2021 DOC NYC 2021 Interview: Jimmy Goldblum on Reconstructing Memories of Syria in “A Broken House”
November 11, 2021 DOC NYC 2021 Interview: Alexandra Dalsbaek on a New Generation Taking a Stand in “We Are Russia”
November 11, 2021 DOC NYC 2021 Interview: Daniel Sivan and Mor Loushy on Uncovering “Camp Confidential: America’s Secret Nazis”
November 10, 2021 DOC NYC 2021 Interview: Maria Speth on the Modern Education of “Mr. Bachmann and His Class”
November 30, 2020 DOC NYC 2020 Review: Running a Jazz Haven Becomes Its Own Art in Oliver Murray’s “Ronnie’s”
November 30, 2020 DOC NYC 2020 Review: An Immigrant’s Tale Transcends Borders in Zach Ingrasci and Chris Temple’s “Five Years North”
November 16, 2020 DOC NYC 2020 Review: “Youth Vs Gov” Makes the Case for Taking Responsibility for Climate Change Outside Court
November 14, 2020 DOC NYC 2020 Interview: Maia Lekow and Christopher King on Delivering a Portrait of Strength in “The Letter”
November 13, 2020 DOC NYC 2020 Review: Baseball Becomes a Mind Game in Sami Khan and Michael Gassert’s “The Last Out”
