November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
November 16, 2022 DOC NYC 2022 Review: “Love in the Time of Fentanyl” Offers A Refreshing Look at a Judgment Free Zone
November 12, 2022 DOC NYC 2022 Review: “Big Fight in Little Chinatown” Highlights a Generational Cultural Clash
November 11, 2022 DOC NYC 2022 Review: “My So-Called High School Rank” Charts the Future When Life Has Other Plans
November 10, 2022 DOC NYC 2022 Interview: Rob Hatch-Miller on the Reverberations of “The Elephant 6 Recording Co.”
November 16, 2021 DOC NYC 2021 Review: Holly Morris’ “Exposure” Charts an Expedition That Can’t Be Measured in Miles
November 16, 2021 DOC NYC 2021 Interview: Neasa Ní Chianáin on Giving a New Generation Something to Think About in “Young Plato”
November 15, 2021 DOC NYC 2021 Review: A Football Team Has Plenty to Tackle Off the Field in “Messwood”
November 15, 2021 DOC NYC 2021 Review: What’s In a Name Leaves a Lot to Answer For in “Grandpa Was an Emperor”
