October 30, 2025 Lynsey Addario and Chai Vasarhelyi on Bringing Light to Conflicts at Home and Abroad in “Love + War”
October 30, 2025 Bonni Cohen, Pedro Kos and Jon Shenk on a Moment of Hope for Environmental Movement in “The White House Effect”
October 30, 2025 Maïlys Vallade and Liane-Cho Han on Finding God in the Details of “Little Amélie or the Character of Rain”
October 30, 2025 Lynsey Addario and Chai Vasarhelyi on Bringing Light to Conflicts at Home and Abroad in “Love + War”
October 30, 2025 Bonni Cohen, Pedro Kos and Jon Shenk on a Moment of Hope for Environmental Movement in “The White House Effect”
October 30, 2025 Maïlys Vallade and Liane-Cho Han on Finding God in the Details of “Little Amélie or the Character of Rain”
May 20, 2023 Cannes 2023 Review: Elena Martín Gimeno’s “Creatura” Puts a Twist in Seeing Sexuality as a Beast
May 19, 2023 Cannes 2023 Review: “The Feeling That the Time for Doing Something Has Passed” Works Out Life’s Kinks
May 26, 2022 Cannes 2022 Review: A Girl Discovers It’s a Dog Eat Dog World in Jasmine Trinca’s “Marcel!”
May 26, 2022 Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”
May 26, 2022 Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”
May 23, 2022 Cannes 2022 Review: A Broken Heart Takes Time to Mend in Lea Mysius’ Enthralling “The Five Devils”
May 21, 2022 Cannes 2022 Review: Sunlight Gives Way to a Gathering Storm in Erige Sehiri’s Iridescent “Under the Fig Trees”
