The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Jonas Carpignano on Heading Into Unknown Territory in “A Chiara”

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

  • Reviews
    Reviews

    Cannes 2022 Review: A Girl Discovers It’s a Dog Eat Dog World in Jasmine Trinca’s “Marcel!”

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

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A Face in the Crowd

A Face in the Crowd

A Face in the Crowd: An Escape Comes From Within in Carlen May-Mann’s “Romance Package for Two”

A guest unlocks long-held desires of a couple running a love motel in this new dramatic short from the director of the Sundance hit "The Rat."
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A Face in the Crowd

A Face in the Crowd: Beck Kitsis Makes a Hell of an Introduction with “The Three Men You Meet at Night”

The filmmakers behind "The Rat" are turning towards the crowd to go the distance with this exciting new horror short about a young woman's long walk home.
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Carlen May-Mann's "The Rat"
A Face in the Crowd

A Face in the Crowd: Carlen May-Mann Slyly Finds a New Way Into the Horror Genre with “The Rat”

A new short currently crowdsourcing on Kickstarter puts an inspired new twist on the haunted house, exposing the inherent sexism of the horror genre.
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Jim Cummings' Short to Feature Lab
A Face in the Crowd

A Face in the Crowd: Jim Cummings is Bringing Down the Gates for Filmmakers By Opening the Doors to a Short to Feature Lab

The director of "Thunder Road" talks about how he plans to use the success of his debut to spread the wealth of his experience to other filmmakers looking to expand their shorts to features.
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A scene from Britni West's "“By Now I’ve Lived a Thousand Lives and None of Them Are Mine"
A Face in the Crowd

A Face in the Crowd: Britni West Seeks a Place of Her Own in “By Now I’ve Lived a Thousand Lives and None of Them Are Mine”

A filmmaker's homecoming to Montana leads to a host of new possibilities, both in life and in art, in this production currently raising funds on Kickstarter.
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Shahrzad Davani's "F1"
A Face in the Crowd

A Face in the Crowd: Shahrzad Davani on Breaking Down Borders with the Gut-Busting Comedy “F1”

An accomplished assistant director takes the helm with this timely comedy about transcending barriers, both between burgeoning friends and countries.
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A still of "Lingua Franca" with Isabel Sandoval
A Face in the Crowd

A Face in the Crowd: Isabel Sandoval is Speaking Our Language with “Lingua Franca”

A filmmaker who has distinguished herself with compelling tales of marginalized women embarks on her most ambitious to date with this drama about a transgender Filipina immigrant at risk of being deported.
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Bridey Elliott's "Clara's Ghost"
A Face in the Crowd

A Face in the Crowd: Bridey Elliott Turns “Clara’s Ghost” Into a Reality

The "Fort Tilden" star is raising funds to raise the dead with this comic thriller featuring her very funny family.
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Colin Healey's "For Entertainment Purposes Only"
A Face in the Crowd

A Face in the Crowd: Colin Healey Aims to Conjure Something Special With “For Entertainment Purposes Only”

The director of the raucous "Homemakers" has turned to the crowd to help with his second feature about a clairvoyant con artist who must figure out how to make her psychic abilities work for real.
Read Story
Jasmin St. Claire in "Hellcat's Revenge"
A Face in the Crowd

A Face in the Crowd: Len Kabasinski Plots a “Hellcat’s Revenge”

With a throwback to '70s exploitation flicks with strong female heroines, an ultra-low budget filmmaker aims to take a big step forward.
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"Donald Cried," "Ovarian Psycos," "9 Rides" and "The Seer"
A Face in the Crowd

A Face in the Crowd: Send These Films to SXSW 2016

Four promising films need your help to get to Austin.
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Kyle Henry's "The Year That Changed Us"
A Face in the Crowd

A Face in the Crowd: Diversity is the Spice of Life in Kyle Henry’s “The Year That Changed Us”

With their actors investing a consierable amount of time and personal experience, Chicago filmmakers hope to finally see characters they can relate to on the big screen.
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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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