March 8, 2025 SXSW 2025 Review: Adam Ciralsky and Subrata De’s “Take No Prisoners” Ably Captures a Difficult Trade
March 8, 2025 SXSW 2025 Interview: Elaine Epstein on an Unexpected Front in the War in Women’s Rights in “Arrest the Midwife”
March 8, 2025 SXSW 2025 Review: Adam Ciralsky and Subrata De’s “Take No Prisoners” Ably Captures a Difficult Trade
March 8, 2025 SXSW 2025 Interview: Elaine Epstein on an Unexpected Front in the War in Women’s Rights in “Arrest the Midwife”
September 8, 2022 Venice Film Fest 2022 Review: A Casting Director is Recognized for Her Star Quality in “Bonnie”
September 8, 2022 Venice Film Fest 2022 Review: An Air of Mystery Gives the Room to Breathe in Laura Citarella’s Bewitching “Trenque Lauquen”
September 5, 2022 Venice Film Fest 2022 Review: A Moral Compass Takes “To The North” in Interesting Directions
September 4, 2022 Venice Film Fest 2022 Review: “Blanquita” Finds Truth Amidst a Host of Ulterior Motives
September 3, 2022 Venice Film Fest 2022 Review: A Gardener Confronts Obstacles to Growth in “Beating Sun”
September 3, 2022 Venice Film Fest 2022 Review: “Casa Susanna” Uncovers a Hideaway Where It Was Possible to Live Openly
September 3, 2022 Venice Film Fest 2022 Review: A Life of Inner Peace May Have Prevented a Nuclear War in “A Compassionate Spy”
September 2, 2022 Venice Film Fest 2022 Review: An Engagement Leads to Estrangement in “Valeria is Getting Married”
September 2, 2022 Venice Film Fest 2022: Slivers of a Legendary Life Truly Become “Fragments of Paradise”
