September 6, 2024 TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
September 5, 2024 TIFF 2024 Interview: Mick Robertson and Margaret Rose on the Tensions in Between “Every Other Weekend”
September 6, 2024 TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
September 5, 2024 TIFF 2024 Interview: Mick Robertson and Margaret Rose on the Tensions in Between “Every Other Weekend”
February 2, 2020 Sundance 2020 Review: Edson Oda’s “Nine Days” Offers a Rare and Special Time to Reflect
March 26, 2018 SXSW ’18 Review: A Cold War is Illuminated with Great Warmth in Megan Griffiths’ Captivating “Sadie”
June 19, 2017 L.A. Film Fest ’17 Review: Vincent Grashaw Powerfully Opens Up a Conversation on School Violence with “And Then I Go”
October 16, 2016 Austin Film Fest ’16 Review: An Alien Encounter Brings Out a Lively Human Comedy in “Brave New Jersey”