Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTIFF·8 min readTIFF 2022 Interview: Asia Youngman on Testing the Waters with “n’x̌ax̌aitkʷ: Sacred Spirit of the Lake”
InterviewsTIFF·6 min readTIFF 2022 Interview: Karimah Zakia Issa on Channeling the Inner Fears of “Scaring Women at Night”
ReviewsTIFF·2 min readVenice Film Fest 2022 Review: Identical Twins Reach a Fork in the Road in the Spry “Luxembourg Luxembourg”
ReviewsVenice Film Festival·2 min readVenice Film Fest 2022 Review: “Stonewalling” Makes the Most of a Pregnant Pause
InterviewsTIFF·6 min readTIFF 2022 Interview: Tyler Mckenzie Evans on the Changing Face of a Neighborhood in “Diaspora”
InterviewsTIFF·9 min readTIFF 2022 Interview: James Cosmo and Klaus Härö on Getting to the Emotional Depths of “My Sailor, My Love”
ReviewsTIFF·2 min readVenice Film Fest 2022 Review: A Tale of Outsiders Gets a New Spin in “The Maiden”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”