Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTIFF·9 min readTIFF 2021 Interview: Kausar Mohammed and Fawzia Mirza on a Trial By Chai in “Syed Family Xmas Eve Game Night”
ReviewsTIFF·2 min readTIFF 2021 Review: Daniel Carsenty and Mohammed Abugeth’s “The Devil’s Drivers” Charts a Difficult Road Ahead for Israel and Palestine
InterviewsTIFF·11 min readTIFF 2021 Interview: Penny Lane on Exploring the Rougher Edges Around the Popularity of Smooth Jazz in “Listening to Kenny G”
ReviewsTIFF·3 min readTIFF 2021 Review: A Standoff Leads You to Sit Up in Stefan Forbes’ “Hold Your Fire”
ReviewsTIFF·2 min readTIFF 2021 Review: A Disappearance Reveals a Criminal Network in Justin Lerner’s Harrowing “Cadejo Blanco”
ReviewsTIFF·2 min readToronto Film Fest 2021 Review: A Wrong Diagnosis is Righted in Melanie Laurent’s Spirited Drama “The Mad Woman’s Ball”
ReviewsTIFF·2 min readTIFF 2021 Review: “Mlumgu Wam (Good Madam)” Sensationally Serves Up the Ongoing Horrors of Apartheid
ReviewsTIFF·2 min readTIFF 2021 Review: Luàna Bajrami’s “The Hill Where Lionesses Roar” Lets Out a Resounding Rebel Yell
InterviewsTIFF·8 min readTIFF 2021 Interview: Jean Luc Herbulot on Having an Eye for Mayhem in “Saloum”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”