May 16, 2025 Cannes 2025 Review: Ugo Bienvenu’s Crafty Chronological Caper “Arco” Makes for a Great Time
May 16, 2025 Cannes 2025 Review: Hafsia Herzi’s “The Little Sister” Compassionately Chronicles an Age of Contradictions
May 15, 2025 Cannes 2025 Review: A Teacher is in for an Education in Louise Hémon’s Mordant “The Girl in the Snow”
May 16, 2025 Cannes 2025 Review: Ugo Bienvenu’s Crafty Chronological Caper “Arco” Makes for a Great Time
May 16, 2025 Cannes 2025 Review: Hafsia Herzi’s “The Little Sister” Compassionately Chronicles an Age of Contradictions
May 15, 2025 Cannes 2025 Review: A Teacher is in for an Education in Louise Hémon’s Mordant “The Girl in the Snow”
October 20, 2022 Sebastian Pardo and Riel Roch-Decter on Interrogating the Creative Process in “The Computer Accent”
April 21, 2022 CPH: DOX 2022 Review: “The Computer Accent” Compellingly Captures a Recording Session Full of Algorithm and Blues
