September 6, 2024 TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
September 5, 2024 TIFF 2024 Interview: Mick Robertson and Margaret Rose on the Tensions in Between “Every Other Weekend”
September 6, 2024 TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
September 5, 2024 TIFF 2024 Interview: Mick Robertson and Margaret Rose on the Tensions in Between “Every Other Weekend”
December 14, 2019 Interview: Sound Designer Peter Albrechtsen on the Feeling the Reverberations of War in “The Cave”
July 29, 2019 Interview: Waad al-Kateab and Edward Watts on Putting the Tragedy in Syria Into Focus in “For Sama”
November 23, 2018 Interview: Talal Derki on What He Learned from Going Back to Syria to Make “Of Fathers and Sons”
January 21, 2018 Sundance ’18 Review: “Of Fathers and Sons” Offers an Unflinching Look at How Hate is Passed Down in Syria
July 27, 2015 Interview: Sophie Deraspe Connects the Dots in “A Gay Girl in Damascus – The Amina Profile”