DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
Interviews·8 min readInterview: Sound Designer Peter Albrechtsen on the Feeling the Reverberations of War in “The Cave”
Interviews·8 min readInterview: Waad al-Kateab and Edward Watts on Putting the Tragedy in Syria Into Focus in “For Sama”
ReviewsSundance·3 min readSundance ’18 Review: “Of Fathers and Sons” Offers an Unflinching Look at How Hate is Passed Down in Syria
Interviews·6 min readInterview: Talal Derki on What He Learned from Going Back to Syria to Make “Of Fathers and Sons”
Interviews·9 min readInterview: Matthew Heineman on Covering a War of Information in “City of Ghosts”
InterviewsUncategorized·7 min readInterview: Sophie Deraspe Connects the Dots in “A Gay Girl in Damascus – The Amina Profile”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”