Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
Cannes 2024 Review: A Hunt for a War Criminal Becomes a Search for Peace of Mind in Jonathan Millet’s Haunting “Ghost Trail”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSXSW·10 min readSXSW 2023 Interview: Dan Covert on Looking Outside the Lines in “Geoff McFetridge: Drawing a Life”
InterviewsSXSW·9 min readSXSW 2023 Interview: Luchina Fisher on Looking Towards a New Frontier in “The Dads”
InterviewsSXSW·10 min readSXSW 2023 Interview: Amy Omar on Nourishing the Soul with “Breaking Fast With a Coca Cola”
InterviewsSXSW·9 min readSXSW 2023 Interview: Steven J. Adams and Sean Horlor on Having a Devil of a Time with “Satan Wants You”
ReviewsSXSW·2 min readSXSW 2023 Review: No Good Deed Goes Unpunished in “Confessions of a Good Samaritan”
InterviewsSXSW·7 min readSXSW 2023 Interview: Lagueria Davis on a Model for the Future in “Black Barbie: A Documentary”
InterviewsSXSW·12 min readSXSW 2023 Interview: Amy Bench and Annie Silverstein on Making Connections in “Breaking Silence”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”