May 18, 2026 Cannes 2026 Review: Marine Atlan’s Magnificent Coming-of-Age Drama “La Gradiva” Shows Real Class
May 17, 2026 Cannes 2026 Review: Nicolas Athané and Marco Nguyen’s Out and Out Animated Comedy “Jim Queen” Has Unexpected Muscle
May 17, 2026 Cannes 2026 Review: A Quiet Connection Holds Considerable Power in Yukiko Sode’s “All the Lovers in the Night”
May 16, 2026 Cannes 2026 Review: Life as a Twentysomething is an Ongoing Battle in Lila Pinell’s Punchy “Shana”
May 18, 2026 Cannes 2026 Review: Marine Atlan’s Magnificent Coming-of-Age Drama “La Gradiva” Shows Real Class
May 17, 2026 Cannes 2026 Review: Nicolas Athané and Marco Nguyen’s Out and Out Animated Comedy “Jim Queen” Has Unexpected Muscle
May 17, 2026 Cannes 2026 Review: A Quiet Connection Holds Considerable Power in Yukiko Sode’s “All the Lovers in the Night”
May 16, 2026 Cannes 2026 Review: Life as a Twentysomething is an Ongoing Battle in Lila Pinell’s Punchy “Shana”
February 12, 2024 Sundance 2024 Review: “Sugarcane” Starts a Conversation Around an Atrocity for Which There Are No Words
January 30, 2024 Sundance 2024 Review: “The Battle of Laikipia” Outlines a Conflict Where the Cows Can’t Come Home
January 26, 2024 Sundance 2024 Review: A Young Prodigy Tries to Get it to All Add Up in Chiwetel Ejiofor’s “Rob Peace”
January 24, 2024 Sundance 2024 Review: An Artist Wonders If a Painful Past Can Be Palatable in “Exhibiting Forgiveness”
January 23, 2024 Sundance 2024 Interview: Raha Amirfazli and Alireza Ghasemi on a Home for the Displaced “In the Land of Brothers”
January 21, 2024 Sundance 2024 Review: A Triumph Is Seen in All its Complexity in Stephen Maing and Brett Story’s “Union”
