The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Jamila Wignot on Where the Spirit Moved Her in Making “Ailey”

    Harry Greenberger on Getting at the Soul in the City in “Here After”

    Ainsley Gardiner and Briar Grace-Smith on Making Profound Connections in “Cousins”

  • Reviews
    Reviews

    Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”

    Cannes 2021 Review: Na Jiazuo’s “Streetwise” Takes the Road Less Traveled

    Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

    ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

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    NowWeekMonth

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Melora Waters and Jeffrey DeMunn in "The Amaranth"

    Austin Film Fest ’18 Review: “The Amaranth” Never Grows Old

    Tribeca 2020 Review: An Ex-Con Can’t Just Pick Up Where Life Left Off in Sabrina Doyle’s Lovely Drama “Lorelei”

    Playing God: 13 Actors Who Dared To Be the Deity in Movies

    Interview: Benjamin Ree, Barbora Kysilkova and Karl-Bertil Nordland on Shifting Perspectives with “The Painter and the Thief”

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Stefanie Scott

Interviews

Interview: Laura Terruso on Putting Together a Class Act of Lowbrow Humor in “Good Girls Get High”

The "Fits and Starts" writer/director on making a rock solid stoner comedy.
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Abby Quinn and Stefanie Scott in "Good Girls Get High"
L.A. Film FestReviews

L.A. Film Fest ’18 Review: Abby Quinn & Stefanie Scott Light Up Laura Terruso’s “Good Girls Get High”

The writer behind "Hello My Name is Doris" delivers a stoner comedy that actually gets you to tune in.
Read Story
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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