Cannes 2022 Review: Sunlight Gives Way to a Gathering Storm in Erige Sehiri’s Iridescent “Under the Fig Trees”
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration
Cannes 2022 Review: Sunlight Gives Way to a Gathering Storm in Erige Sehiri’s Iridescent “Under the Fig Trees”
InterviewsMegan Mylan on Reflecting the Implications of Displacement in “Simple as Water”The director talks about how she was able to draw such insight from a limited amount of shooting days with Syrian refugees displaced by war. Read Story
ReviewsTribeca Film FestivalTribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”A wrenching story is told with great grace as director Megan Mylan observes those who fled war rebuild their lives. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
