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Sidewalk Stories

Interview: Charles Lane on Making Noise with “A Place in Time” and “Sidewalk Stories”

The director on his two silent gems about social inequality in New York, overcoming his dislike for the genre & the importance of a good caterer on set.

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Jamila Wignot on Where the Spirit Moved Her in Making “Ailey”

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Ainsley Gardiner and Briar Grace-Smith on Making Profound Connections in “Cousins”

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Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
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“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

Interview: Joe Manganiello on the Ad-Lib That Re-Routed “Pee-Wee’s Big Holiday”

Harry Greenberger on Getting at the Soul in the City in “Here After”

Playing God: 13 Actors Who Dared To Be the Deity in Movies

Wyatt Rockefeller on Going Places with “Settlers”

Sidewalk Stories

Interview: Charles Lane on Making Noise with “A Place in Time” and “Sidewalk Stories”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies