The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Hogir Hirori and Antonio Russo Merenda on Capturing the Lives in Limbo in “Sabaya”

    Edson Oda on Making Memories in “Nine Days”

    Joshua Leonard and Jess Weixler on Kidding Around While You Can in “Fully Realized Humans”

  • Reviews
    Reviews

    Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”

    Cannes 2021 Review: Na Jiazuo’s “Streetwise” Takes the Road Less Traveled

    Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

    ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

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    NowWeekMonth

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Tribeca 2020 Review: An Ex-Con Can’t Just Pick Up Where Life Left Off in Sabrina Doyle’s Lovely Drama “Lorelei”

    Interview: Benjamin Ree, Barbora Kysilkova and Karl-Bertil Nordland on Shifting Perspectives with “The Painter and the Thief”

    Robert Pattinson and Taliah Webster in "Good Time"

    Interview: Casting Director Jennifer Venditti on Why “Good Time” Came at the Right Time

    Melora Waters and Jeffrey DeMunn in "The Amaranth"

    Austin Film Fest ’18 Review: “The Amaranth” Never Grows Old

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BerlinaleReviews

Berlinale 2021 Review: Love Lies Below Ryusuke Hamaguchi’s Enchanting “Wheel of Fortune and Fantasy”

An omnibus from the writer/director of "Happy Hour" and "Asako I and II" continues a unique view of relationships, including the ones we have with ourselves.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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