April 2, 2026 SXSW 2026 Review: Echoes of the Past Are Made to Reverberate in “The Man with the Big Hat”
April 1, 2026 SXSW 2026 Review: Walking the Plank Starts to Look Like a Springboard in Josh Plasse’s Genuine “The Pirate King”
March 28, 2026 SXSW 2026 Review: A School May Fail Its Students, But They Still Show Class in “First They Came for My College”
April 2, 2026 SXSW 2026 Review: Echoes of the Past Are Made to Reverberate in “The Man with the Big Hat”
April 1, 2026 SXSW 2026 Review: Walking the Plank Starts to Look Like a Springboard in Josh Plasse’s Genuine “The Pirate King”
March 28, 2026 SXSW 2026 Review: A School May Fail Its Students, But They Still Show Class in “First They Came for My College”
September 13, 2022 TIFF 2022 Interview: Sarah McCarthy on Reaching a Sea of Tranquility Amidst Treacherous Political Tides in “Anastasia”
September 11, 2013 TIFF ’13 Interview: Sarah McCarthy on Exploring What Makes a Family in “The Dark Matter of Love”
