Tribeca 2021 Interview: Emmett Brennan on Tapping Into Creative Forms of Conservation in “Reflection: a walk with water”
Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”
Tribeca 2021 Review: A Conductor Creates Harmony Out of Cultural Discord in the Rousing “Bernstein’s Wall”
Tribeca 2021 Review: There’s Truly No Place Like Home in Gaysorn Thavat’s Admirably Irreverent “The Justice of Bunny King”
Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”
Interview: Silja Hauksdóttir, Katla M. Porgeirsdóttir, and Donna Cruz on Taking the Roads Less Traveled to Contentment in “Agnes Joy”
FestivalsReviewsToronto Film Festival 2011TIFF ’11 Review: A Ride-Along Not Soon Forgotten in “Rampart”The second collaboration between "The Messenger" writer/director Oren Moverman and Woody Harrelson results in the portrait of a disgraced cop who refuses to leave the department and ultimately, the minds of its audience. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
