November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
March 29, 2013 Review: While Success Has Many Fathers, A Failure Has Many Children in the Sweet “Starbuck”
March 11, 2013 SXSW ’13 Review: AJ Schnack & David Wilson’s Branson Doc “We Always Lie to Strangers” Conveys An Exquisite Truth
February 4, 2013 Review: A Bumpy Ride Results in Michel Gondry’s Highly Satisfying “The We and the I”
January 14, 2013 Review: In Spite of a High-Flying Charlie Sheen, “Charles Swan” Never Quite Takes Off
November 28, 2012 Review: “Universal Soldier: Day of Reckoning” Deploys Adkins, Van Damme and Lundgren to Flip the Script
November 3, 2012 Review: Salles, Stewart and Hedlund Keep Their Eyes “On the Road” in Immersive, Invigorating Adaptation
November 1, 2012 Austin Film Fest ’12 Review: The Delicate, Defiant and Romantic Call of “Sparrows Dance”
