BlackStar Film Fest 2021 Interview: Darine Hotait on Being Able to Step Outside Oneself in “Tallahassee”
Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”
Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”
Interview: Benjamin Ree, Barbora Kysilkova and Karl-Bertil Nordland on Shifting Perspectives with “The Painter and the Thief”
BlackStar Film Fest 2021 Interview: Darine Hotait on Being Able to Step Outside Oneself in “Tallahassee”
InterviewsTIFFTIFF ’19 Interview: Katrin Gebbe on Fleshing Out “Pelican Blood”The director of "Nothing Bad Can Happen" returns to explore the dangers of unquestioned — and perhaps misplaced — faith in this thriller about a mother who gets more than she bargained for with a newly adopted child. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
