BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
Tribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”
“All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
BAMcinemafest 2022 Interview: Robert Machoian and Rodrigo Ojeda-Beck on Looking Towards Sunset in “The Last Days of August”
InterviewsInterview: Eugene Ashe on Taking a New Angle Towards a Timeless Romance in “Sylvie’s Love”The writer/director on getting at something real in recreating the Hollywood escapist romances so popular during the 1950s for modern times. Read Story
ReviewsSundanceSundance 2020 Review: A Jazz Musician Has a Lot to Play for in Eugene Ashe’s Beautiful “Sylvie’s Love”Tessa Thompson and Nnamdi Asoghmua shine in this marvelous riff on ‘60s technicolor melodramas. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
