March 12, 2026 SXSW 2026 Interview: Benjamin de Menil and Frank Pavich on Following the Music in “Agridulce (Bittersweet)”
March 9, 2026 Carlos A. Gutierrez on 25 Years of Cinema Tropical and a Time of Validation for Latin American Film
March 8, 2026 True/False 2026 Review: Naveen Chaubal’s “Pinball” Yields an Unusually Moving Portrait of Resettlement
March 7, 2026 True/False 2026 Review: “The Great Experiment” Crisply Captures America at a Crisis Point
March 12, 2026 SXSW 2026 Interview: Benjamin de Menil and Frank Pavich on Following the Music in “Agridulce (Bittersweet)”
March 9, 2026 Carlos A. Gutierrez on 25 Years of Cinema Tropical and a Time of Validation for Latin American Film
March 8, 2026 True/False 2026 Review: Naveen Chaubal’s “Pinball” Yields an Unusually Moving Portrait of Resettlement
March 7, 2026 True/False 2026 Review: “The Great Experiment” Crisply Captures America at a Crisis Point
October 16, 2016 NY Film Fest ’16 Interview: Shirley Abraham & Amit Madheshiya on Transporting Audiences with “The Cinema Travellers”
October 9, 2016 Interview: Dash Shaw on Getting That Floating Feeling of “My Entire High School Sinking Into the Sea”
October 7, 2016 NY Film Fest ’16 Review: Errol Morris Fashions a Perfect Snapshot in “The B-Side: Elsa Dorfman’s Portrait Photography”
October 6, 2016 NY Film Fest ’16 Review: Only with Steve James, An Incomprehensible Injustice Adds Up in “Abacus: Small Enough to Jail”
