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The Moveable Fest

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September 16, 2024

TIFF 2024 Review: An Author Rewrites Her Destiny in Sinéad O’Shea’s Electric “Blue Road: The Edna O’Brien Story”

September 16, 2024

TIFF 2024 Review: Anderson .Paak’s “K-Pops” is a Blast

September 15, 2024

TIFF 2024 Review: A Former War Correspondent Looks for Peace of Mind Amongst Her Own Tortured Family in “Tata”

September 10, 2024

TIFF 2024 Interview: James Rathbone and Mike Feswick on Finding the Right Fit in “Solemates”

St Vincent in "Contemporary Color"

May 23, 2016

SIFF ’16 Review: Bill & Turner Ross Reinvent the Concert Film in “Contemporary Color”

Songhoy Blues in "They Will Have to Kill Us First"

March 6, 2016

Interview: Johanna Schwartz on the Musical Revolution in Mali in “They Will Have to Kill Us First”

Edwyn Collins and Grace Maxwell in "The Possibilities Are Endless"

July 29, 2014

Review: For Edwyn Collins, a Life and a Film Where “The Possibilities Are Endless”

Jimmy Ellis is Orion in Jeanie Finlay's "Orion: The Man Who Would Be King"

April 7, 2014

A Face in the Crowd: Jeanie Finlay on
Making a Doc Fit for a King with “Orion”

Kathleen Hanna in Sini Anderson's "The Punk Singer"

November 29, 2013

Review: Kathleen Hanna Ignites “The Punk Singer”

July 27, 2011

The Duplass Brothers Need to Talk About “Kevin” and “Adolescents” in LA & NY