The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Adam Patterson and Declan Lawn on the Art of a Con in “Rogue Agent”

    Alli Haapasalo on Crafting a Portrait of Youth That’s a Little Rough Around the Edges in “Girl Picture”

    James Ponsoldt on Learning From a Season of Change in “Summering”

  • Reviews
    Reviews

    Outfest 2022 Review: A City Council Seat Becomes an Opportunity to Take a Stand in “A Run for More”

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

    Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

  • Trending
    NowWeekMonth

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Pawo Choyning Dorji on Moving Mountains to Make “Lunana: A Yak in the Classroom”

    Adam Patterson and Declan Lawn on the Art of a Con in “Rogue Agent”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    John Gallagher Jr. in "Hush"

    Interview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”

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music documentaries

St Vincent in "Contemporary Color"
ReviewsSeattle Film Festival

SIFF ’16 Review: Bill & Turner Ross Reinvent the Concert Film in “Contemporary Color”

An exhilarating, living document as adventurous as the event it covers - David Byrne's grand musical experiment with Color Guard squads.
Read Story
Jimmy Ellis is Orion in Jeanie Finlay's "Orion: The Man Who Would Be King"
A Face in the Crowd

A Face in the Crowd: Jeanie Finlay on
Making a Doc Fit for a King with “Orion”

The "Sound It Out" filmmaker is turning to crowdsourcing to reveal the man behind the mask of the '70s singing phenomenon.
Read Story
Songhoy Blues in "They Will Have to Kill Us First"
Interviews

Interview: Johanna Schwartz on the Musical Revolution in Mali in “They Will Have to Kill Us First”

The British-based filmmaker on her documentary about those fighting to create harmony in a place where music has been banned.
Read Story
Kathleen Hanna in Sini Anderson's "The Punk Singer"
Reviews

Review: Kathleen Hanna Ignites “The Punk Singer”

A fun, fierce profile of the feminist rock star.
Read Story
Edwyn Collins and Grace Maxwell in "The Possibilities Are Endless"
Reviews

Review: For Edwyn Collins, a Life and a Film Where “The Possibilities Are Endless”

A beautifully made documentary tells of the Scottish singer's recovery from a devastating stroke.
Read Story
To Live and Screen in L.A.

The Duplass Brothers Need to Talk About “Kevin” and “Adolescents” in LA & NY

On opposite coasts, the fraternal writing/directing duo of "Cyrus" and "Baghead" show off different muscles this week with the premieres of a new documentary "Kevin" in Los Angeles and the comedy "True Adolescents" in New York.
Read Story
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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