September 9, 2026 Venice Film Fest 2026 Review: Birds of a Feather Flock Together in Kornél Mundruczó and Kata Wéber’s Airy Adventure “Place to Be”
September 9, 2026 Venice Film Fest 2026 Review: A Young Man Seeks Safe Harbor in Xavier Tera’s Compelling Coming-of-Age Drama “The Color of the Sun”
September 8, 2026 Venice Film Fest 2026 Review: Casey Affleck’s “Company” Knows the Power of a Good Story
September 8, 2026 Venice Film Fest 2026 Review: Raising a College Student Leaves a Couple Looking to Re-Learn How to Live in “Una Storia (A Common Story)”
September 9, 2026 Venice Film Fest 2026 Review: Birds of a Feather Flock Together in Kornél Mundruczó and Kata Wéber’s Airy Adventure “Place to Be”
September 9, 2026 Venice Film Fest 2026 Review: A Young Man Seeks Safe Harbor in Xavier Tera’s Compelling Coming-of-Age Drama “The Color of the Sun”
September 8, 2026 Venice Film Fest 2026 Review: Casey Affleck’s “Company” Knows the Power of a Good Story
September 8, 2026 Venice Film Fest 2026 Review: Raising a College Student Leaves a Couple Looking to Re-Learn How to Live in “Una Storia (A Common Story)”
February 21, 2022 Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
September 16, 2011 TIFF ’11 Interview: Joachim Trier Returns Home in the Remarkable “Oslo, August 31st”
