Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”
Hot Docs 2022 Review: The Power of a Family Secret Shifts from the Keepers to Those Willing to Expose It in Jasmin Mara López’s “Silent Beauty”
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration
Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”
L.A. Asian Pacific Film Fest 2022 Interview: Deann Borshay Liem on Bridging the Divide in Perception Between North and South Korea in “Crossings”
InterviewsInterview: Francesca Gregorini on Seeking Out “The Truth About Emanuel”On finding the confidence to make films as big as the screen will hold. Read Story
UncategorizedInterview: Andy Goddard on Plotting “A Kind of Murder”The director talks about tackling icons - his latest, Patricia Highsmith - and feeling at home with the story of an aspiring crime writer who feels out of place in 1960s upstate New York. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
