The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

    Ajitpal Singh on a Family Living on the Edge in “Fire in the Mountains”

  • Reviews
    Reviews

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
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    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    Interview: Taika Waititi on “Boy,” the Boredom of Acting and the Excitement of Childhood

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

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J. Smith-Cameron

Andrea Riseborough in "Nancy"
ReviewsSundance

Sundance ’18 Review: Director Christina Choe Shows She’s the Real Deal with the Bewitching Imposter Tale “Nancy”

Andrea Riseborough shines in this wonderfully mischievous character study of a woman whose lies about herself start to become the truth.
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Rebecca Hall in "Christine"
Interviews

Interview: Rebecca Hall & Craig Shilowich on Understanding “Christine”

The actress and screenwriter talk about breathing life into a complicated woman largely defined by her shocking death.
Read Story
Leighton Meester and Julian Shatkin in "Like Sunday Like Rain"
Interviews

Interview: Frank Whaley Soaks Up “Like Sunday Like Rain”

The director on his touching drama about an unlikely friendship, casting Billie Joe Armstrong in his first film role & an ill-considered original ending.
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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