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Ishmael Muslim Ali

TIFF ’16 Interview: Jamie Kastner on Leaving A Lot Up in the Air with “The Skyjacker’s Tale”

The Canadian documentarian on his provocative nonfiction thriller about a fugitive seeking his own justice with a hijacking after possibly being denied it.

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Sundance 2022 Interview: James P. Gannon on Finding Himself at a Crossroads with “Deerwoods Deathtrap”

Adam Leon on Developing a Memory for “Italian Studies”

Jeffery Robinson, Emily Kunstler and Sarah Kunstler on Reengaging with History in “Who We Are: A Chronicle of Racism in America”

Sundance 2022 Review: “A Love Song” Stirs the Soul

Sundance 2022 Review: “Tantura” Profoundly Observes the War to Be Remembered

Sundance 2022 Review: The Heart Races in Sara Dosa’s “Fire of Love”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

Sundance 2022 Review: “Tantura” Profoundly Observes the War to Be Remembered

Sundance 2022 Interview: James P. Gannon on Finding Himself at a Crossroads with “Deerwoods Deathtrap”

Sundance 2022 Review: The Heart Races in Sara Dosa’s “Fire of Love”

Torquil Jones and Nirmal Purja on a Life Moving Mountains in “14 Peaks: Nothing is Impossible”

Interview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”

Ishmael Muslim Ali

TIFF ’16 Interview: Jamie Kastner on Leaving A Lot Up in the Air with “The Skyjacker’s Tale”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies