September 6, 2024 TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
September 5, 2024 TIFF 2024 Interview: Mick Robertson and Margaret Rose on the Tensions in Between “Every Other Weekend”
September 6, 2024 TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
September 5, 2024 TIFF 2024 Interview: Mick Robertson and Margaret Rose on the Tensions in Between “Every Other Weekend”
September 10, 2023 TIFF 2023 Review: “The Teacher” Outlines a Conflict That Leaves Everyone as Prisoners of War
October 11, 2020 New York Film Fest 2020 Review: Michelle Pfeiffer and Lucas Hedges Make a Great Escape in Azazel Jacobs’ Irresistible “French Exit”
November 15, 2017 Interview: Jamie M. Dagg & Christopher Abbott on Waiting for the Light in the Deliciously Dark “Sweet Virginia”
May 17, 2017 Tribeca ’17 Review: A Rotten Situation Proves to Be a Delicious Thriller in “Sweet Virginia”
September 18, 2012 TIFF ’12 Review: Dan Algrant’s “Greetings from Tim Buckley” Brings a Legend to Life