March 12, 2026 SXSW 2026 Interview: Benjamin de Menil and Frank Pavich on Following the Music in “Agridulce (Bittersweet)”
March 9, 2026 Carlos A. Gutierrez on 25 Years of Cinema Tropical and a Time of Validation for Latin American Film
March 8, 2026 True/False 2026 Review: Naveen Chaubal’s “Pinball” Yields an Unusually Moving Portrait of Resettlement
March 7, 2026 True/False 2026 Review: “The Great Experiment” Crisply Captures America at a Crisis Point
March 12, 2026 SXSW 2026 Interview: Benjamin de Menil and Frank Pavich on Following the Music in “Agridulce (Bittersweet)”
March 9, 2026 Carlos A. Gutierrez on 25 Years of Cinema Tropical and a Time of Validation for Latin American Film
March 8, 2026 True/False 2026 Review: Naveen Chaubal’s “Pinball” Yields an Unusually Moving Portrait of Resettlement
March 7, 2026 True/False 2026 Review: “The Great Experiment” Crisply Captures America at a Crisis Point
May 3, 2022 Hot Docs 2022 Review: The Power of a Family Secret Shifts from the Keepers to Those Willing to Expose It in Jasmin Mara López’s “Silent Beauty”
May 1, 2022 Hot Docs 2022 Review: A Murder Exposes a Web of Corruption in “The Killing of a Journalist”
April 30, 2022 Hot Docs 2022 Review: A Strand of DNA Unravels Into a Fascinating Yarn in “Make People Better”
April 29, 2022 Hot Docs 2022 Interview: Nils Gaup on Painting a Different Picture of His Native Norway in “Images of a Nordic Drama”
