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Greg O’Toole

Our Favorites 2020: Lana Wilson on Setting the Stage for a Star to Shine at Her Brightest in “Miss Americana”

The director of "The Departure" talks about staying true to her voice as Taylor Swift learned the true power of hers in the most exceptional film of 2020.

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Alex Camilleri and Jesmark Scicluna on Staying Ahead of a Rising Tide in “Luzzu”

Claudia Llosa and Samanta Schweblin on Creating the Waking Life of “Fever Dream”

Fran Kranz on Packing an Emotional Wallop Into “Mass”

Beyond Fest 2021 Review: “The Black Phone” Answers the Call

Hamptons Film Fest 2021 Review: Paolo Sorrentino Shows Some Perspective with “The Hand of God”

Woodstock Film Fest 2021 Review: “Porcupine” Offers a Sharp Look At the Family You Create for Yourself

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

Beyond Fest 2021 Review: “The Black Phone” Answers the Call

Tribeca 2021 Interview: Laura Fairrie, Rory Green and Tiffany Lerman on Reading Between the Lines in “Lady Boss: The Jackie Collins Story”

Jessica Earnshaw on Exploring the Roots of Generational Trauma in “Jacinta”

Interview: Jenny Murray on Committing an Act of Rebellion in “¡Las Sandinistas!”

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

Greg O’Toole

Our Favorites 2020: Lana Wilson on Setting the Stage for a Star to Shine at Her Brightest in “Miss Americana”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies