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Dagmar Weaver-Madsen

Interview: Kris Swanberg on Welcoming “Unexpected”

The director talks about her delicate dramedy starring Cobie Smulders and bringing her experience to the film of finding her niche while life is making other plans.

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Orlando von Einseidel and Hassan Akkad on Rising to the Global Challenge of “Convergence”

Editor Pax Wassermann on Diving Into the Details of “Becoming Cousteau”

Rachel Boynton on Raising a Key Question of Our Times in “Civil War (Or, Who Do We Think We Are)”

Newport Beach Film Fest 2021 Review: Mye Hoang’s “Cat Daddies” Looks to the Softer Side of Man

Newport Beach Film Fest 2021 Review: “Never Catch Pigeons: And Eleven More Hard Lessons from Mr. Paul Van Doren” Does the Legwork for an Engaging History of Vans

Beyond Fest 2021 Review: “The Black Phone” Answers the Call

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

Rachel Boynton on Raising a Key Question of Our Times in “Civil War (Or, Who Do We Think We Are)”

Jessica Earnshaw on Exploring the Roots of Generational Trauma in “Jacinta”

Newport Beach Film Fest 2021 Review: Mye Hoang’s “Cat Daddies” Looks to the Softer Side of Man

Rachel Fleit on Getting Underneath the Surface with “Introducing Selma Blair”

Orlando von Einseidel and Hassan Akkad on Rising to the Global Challenge of “Convergence”

Dagmar Weaver-Madsen

Interview: Kris Swanberg on Welcoming “Unexpected”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies