Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”
Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”
Tribeca 2020 Review: An Ex-Con Can’t Just Pick Up Where Life Left Off in Sabrina Doyle’s Lovely Drama “Lorelei”
InterviewsInterview: Sarah-Violet Bliss, Charles Rogers, Bridey Elliott and Clare McNulty on Getting Their Feet Wet in “Fort Tilden”The filmmakers behind the brutal Brooklyn satire about two young, directionless women in search of a day at the beach talk about filming on bicycles and in freezing waters in September and how the film deals with privilege. Read Story
ReviewsSXSWUncategorizedSXSW ’14 Review: Fearless “Fort Tilden” is a Most Exciting DebutTaking aim at the easy target of hipsters, Sarah Violet Bliss and Charles Rogers do unexpectedly piercing, poignant work in this comedy. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
