The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Ajitpal Singh on a Family Living on the Edge in “Fire in the Mountains”

    Stefan Forbes on Negotiating a Constructive Cultural Conversation in “Hold Your Fire”

    Alessandro Celli on Piecing Together a World in Ruins in “Mondocane”

  • Reviews
    Reviews

    Cannes 2022 Review: A Broken Heart Takes Time to Mend in Lea Mysius’ Enthralling “The Five Devils”

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    Cannes 2022 Review: Sunlight Gives Way to a Gathering Storm in Erige Sehiri’s Iridescent “Under the Fig Trees”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

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    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    Cannes 2022 Review: Sunlight Gives Way to a Gathering Storm in Erige Sehiri’s Iridescent “Under the Fig Trees”

    Ajitpal Singh on a Family Living on the Edge in “Fire in the Mountains”

    John Gallagher Jr. in "Hush"

    Interview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

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Charles Rogers

Clare McNulty and Bridey Elliott in "Fort Tilden"
Interviews

Interview: Sarah-Violet Bliss, Charles Rogers, Bridey Elliott and Clare McNulty on Getting Their Feet Wet in “Fort Tilden”

The filmmakers behind the brutal Brooklyn satire about two young, directionless women in search of a day at the beach talk about filming on bicycles and in freezing waters in September and how the film deals with privilege.
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Birdey Elliott and Clare McNulty in "Fort Tilden"
ReviewsSXSWUncategorized

SXSW ’14 Review: Fearless “Fort Tilden” is a Most Exciting Debut

Taking aim at the easy target of hipsters, Sarah Violet Bliss and Charles Rogers do unexpectedly piercing, poignant work in this comedy.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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