Cannes 2022 Review: Sunlight Gives Way to a Gathering Storm in Erige Sehiri’s Iridescent “Under the Fig Trees”
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration
Cannes 2022 Review: Sunlight Gives Way to a Gathering Storm in Erige Sehiri’s Iridescent “Under the Fig Trees”
InterviewsInterview: Sarah-Violet Bliss, Charles Rogers, Bridey Elliott and Clare McNulty on Getting Their Feet Wet in “Fort Tilden”The filmmakers behind the brutal Brooklyn satire about two young, directionless women in search of a day at the beach talk about filming on bicycles and in freezing waters in September and how the film deals with privilege. Read Story
ReviewsSXSWUncategorizedSXSW ’14 Review: Fearless “Fort Tilden” is a Most Exciting DebutTaking aim at the easy target of hipsters, Sarah Violet Bliss and Charles Rogers do unexpectedly piercing, poignant work in this comedy. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
