Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”
Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”
InterviewsInterview: Johanna Schwartz on the Musical Revolution in Mali in “They Will Have to Kill Us First”The British-based filmmaker on her documentary about those fighting to create harmony in a place where music has been banned. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
