Sundance 2022 Interview: Rachel Lears on Beating Back Cynicism About the Environmental Crisis in “To The End”
Sundance 2022 Review: The Effects of War Ripple Beyond the Battlefield in Simon Lereng Wilmont’s Exquisite “A House Made of Splinters”
A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration
Sundance 2022 Review: The Effects of War Ripple Beyond the Battlefield in Simon Lereng Wilmont’s Exquisite “A House Made of Splinters”
Sundance 2022 Review: A History of Slavery Can’t Be Washed Away in Margaret Brown’s Mighty “Descendant”
Interview: Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky on Going to the Ends of the Earth for “Anthropocene: The Human Epoch”
InterviewsTheo Anthony on Interrogating His Vision for “All Light, Everywhere”On creating perspective when technology can't be counted on to give us the full picture in this look at the intertwined history of cameras and weaponry. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
