The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Christos Nikou on Cutting to the Core in “Apples”

    Peter Strickland on Going With His Gut in “Flux Gourmet”

    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

  • Reviews
    Reviews

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

    Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South

    Tribeca 2022 Review: The Thrill of the Chase Can Be Addictive in Daniel Antebi’s “God’s Time”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

  • Trending
    NowWeekMonth

    Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    A scene from Alexandra Cuerdo's "Ulam: Main Dish"

    LAAPFF ’18 Interview: Alexandra Cuerdo & Rey Cuerdo Jr. on Cooking Up Something Special with “Ulam: Main Dish”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    Tribeca 2022 Review: Annette K. Olesen’s “A Matter of Trust” Hops Around Difficult Leaps of Faith

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Tribeca Film Festival

FestivalsReviewsToronto Film Festival 2011Tribeca Film Festival

TIFF ’11 Review: Marjane Satrapi and Vincent Paronnaud’s Somber But Sweet “Chicken With Plums”

A slighter story than their first film but nonetheless delightful, the second film from the "Persepolis" writer/directors finds a vivid story in the waining days of a suicidal violinist.
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Toronto Film Festival 2011Tribeca Film Festival

TIFF ’11 Review: The Effortless Brilliance of Lynn Shelton’s “Your Sister’s Sister”

Her finest film to date, the new film from the "Humpday" writer/director gets an infusion of movie stars such as Emily Blunt and Rosemarie DeWitt to bring out the luminosity in a crackling relationship comedy.
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FestivalsReviewsToronto Film Festival 2011Tribeca Film Festival

TIFF ’11 Review: Gyllenhaal, Dancy Heighten “Hysteria”

Tanya Wexler's sweet and salty Victorian-era romantic comedy involving the birth of the world's first vibrator aims to please and please it does.
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Fantastic FestFestivalsReviewsTribeca Film Festival

Fantastic Fest ’11 Review: “Sleepless Night” Enough to Stay Awake

Already tapped for an American remake, it's the unique cultural flavors that give the thrill to this chase film.
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InterviewsTribeca Film Festival

Tribeca ’12 Interview: Alex Karpovsky on Filming in a Working Lab and Scrapping Together the Budget for “Rubberneck”

A man of many hats and many films, the actor/writer/director talks about taking a turn for the dramatic with his latest film, a rich thriller about a one-night stand between scientists that leads to unfortunate consequences.
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Will Rogers in "Nancy, Please"
Tribeca Film Festival

Tribeca ’12 Review: Andrew Semans’ Sterling
Debut Makes You Want More “Nancy, Please”

A fantastic feature debut worth obsessing over.
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Chris Messina and Jenna Fischer in "The Giant Mechanical Man"
Tribeca Film Festival

Tribeca ’12 Review: Fischer and Messina Push “The Giant Mechanical Man” To Do What It Can to Get By

Most of the charm in Lee Kirk's directorial debut comes from the familiar.
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Bitsie Tulloch in "Caroline and Jackie"
InterviewsTribeca Film Festival

Tribeca ’12 Interview: Adam Christian Clark
on the Savage Sisterhood of
“Caroline and Jackie”

On the ties that bind even when we don't want them to and the intimate style of his directorial debut.
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Keanu Reeves and Martin Scorsese in "Side by Side"
Tribeca Film Festival

Tribeca ’12 Review: Keanu Reeves’ Digital Cinema Doc “Side by Side” Deserves a Whoa

A great reference for generations to come on digital cinema.
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Perla Haney-Jardine in "Future Weather"
Kickstart This!Tribeca Film Festival

Kickstart This! Jenny Deller’s Tribeca Film Fest-Bound Drama “Future Weather”

On the coming-of-age drama about a teen who finds solace from a broken family in investigating global warming.
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Thomas Sangster-Brodie in "Death of a Superhero"
Tribeca Film Festival

Interview: Ian FitzGibbon on Pulling the Light Out of “Death of a Superhero”

After helming the gangster tale "Perrier's Bounty," the Irish actor-turned-director takes on something more life-affirming with this coming-of-age story about a boy battling cancer through his art.
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InterviewsTribeca Film Festival

Tribeca Film Fest ’13 Interview: Lance Edmands on Returning Home to Capture “Bluebird”

Having worked on several memorable films as an editor in the past few years such as Tiny Furniture and Brock Enright: Good Times Will Never Be the Same, the filmmaker returns to Maine to make one of his own as a director.
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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