The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Christos Nikou on Cutting to the Core in “Apples”

    Peter Strickland on Going With His Gut in “Flux Gourmet”

    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

  • Reviews
    Reviews

    Tribeca 2022 Review: The Thrill of the Chase Can Be Addictive in Daniel Antebi’s “God’s Time”

    Tribeca 2022 Review: Signe Baumane’s “My Love Affair with Marriage” is a Truly Animated Affair

    Tribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

  • Trending
    NowWeekMonth

    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Tribeca 2022 Review: Annette K. Olesen’s “A Matter of Trust” Hops Around Difficult Leaps of Faith

    Andy Ostroy on Keeping a Singular Artist’s Legacy Alive in “Adrienne”

    Interview: Cooper Raiff on Getting at Grace in “Shithouse”

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To Live and Screen in L.A.

To Live and Screen in L.A.

“All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

In a conversation with Ava DuVernay, the director recalls her early days mixing narrative & nonfiction techniques and forging a career on her terms.
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To Live and Screen in L.A.

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

A rare public appearance by the director in conversation with Paul Thomas Anderson became a celebration of two creative geniuses on stage.
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The Cinefamily at the Silent Movie Theater in Los Angeles
InterviewsTo Live and Screen in L.A.

“Exhibition is Part of the Art Form”: Hadrian Belove on the State of L.A.’s Cinefamily and the 24-Hour Telethon

The L.A. nonprofit's co-founder on building an audience and keep them coming back.
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To Live and Screen in L.A.

“It Was Pornography”: Friedkin Closes the Book on the Missing 40 Minutes of “Cruising”

The director opens up on his autobiography and the impossible films he made after climbing the A-List with “The Exorcist” and “The French Connection.”
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To Live and Screen in L.A.

A Life in Cinema Carries On with “Varda by Agnès”

A filmmaker who was so inspired by people gives audiences a final gift of cinematic accessibility, not only to see films, but to make them.
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To Live and Screen in L.A.

A Los Angeles Homecoming for the (Really) Rocking Doc “Bob and the Monster”

Made famous as a counselor on "Celebrity Rehab," Bob Forrest will be onhand for the hometown premiere of the new documentary that shows that's just a small part of an incredible life story.
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To Live and Screen in L.A.

A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

Around this time every few years, Allan Arkush gets a call about putting his 1983 film “Get Crazy” out on...
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To Live and Screen in L.A.

A Second Visit With Kenneth Lonergan’s “Margaret”

On 2011's almost-lost masterpiece that's best enjoyed with an audience, if possible.
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Amy Heckerling and Alicia Silverstone on the set of "Clueless"
To Live and Screen in L.A.

Amy Heckerling on “Clueless” – the Movie and Hollywood Execs – and the State of Women in Film

The writer/director of "Clueless" and "Fast Times at Ridgemont High" reflected on her career, the state of female filmmakers at a recent event at the Aero Theater in Santa Monica.
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To Live and Screen in L.A.

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

For this presidential primary, your vote won't only make your voice heard, but get your foot in the door for an a day of truly revolutionary cinema.
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Buck Henry in "Taking Off"
To Live and Screen in L.A.

Buck Henry Talks “Taking Off,” His Favorite Film

The legendary screenwriter on starring in Milos Forman's wild, comic American debut.
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Dick Van Dyke and Carl Reiner at a screening of "The Comic" at the New Beverly
To Live and Screen in L.A.

Carl Reiner & Dick Van Dyke Shine a Spotlight Once More on the Dark Comedy “The Comic”

Among the two comedy legends' greatest achievements, this searing 1969 Hollywood satire is never mentioned, but a recent special screening at Los Angeles' New Beverly Cinema revealed why it should be.
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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