August 9, 2025 Locarno Film Fest 2025 Review: Children Are the Future in Ben Rivers’ Inspired “Mare’s Nest”
August 9, 2025 Locarno Film Fest 2025 Review: Elsa Kremser and Levin Peter’s “White Snail” Gets at an Unexpectedly Sticky Relationship
August 9, 2025 Locarno Film Fest 2025 Review: Children Are the Future in Ben Rivers’ Inspired “Mare’s Nest”
August 9, 2025 Locarno Film Fest 2025 Review: Elsa Kremser and Levin Peter’s “White Snail” Gets at an Unexpectedly Sticky Relationship
September 20, 2023 TIFF 2023 Review: “Wicked Little Letters” Finds a War of Words Leads to a Winning Comedy
September 20, 2023 TIFF 2023 Review: A Young Woman Looks Towards the Bigger Picture in Lone Scherfig’s Enchanting “The Movie Teller”
September 18, 2023 TIFF 2023 Interview: Paula Hernández on Stirring up a Storm of Emotions in “A Ravaging Wind”
September 18, 2023 TIFF 2023 Review: A Simple Bond Grows From a Complex Set of Circumstances in Michel Franco’s Affecting “Memory”
September 18, 2023 TIFF 2023 Interview: Axel Petersén and Joel Spira on Making a Different Kind of Getaway in “Shame on Dry Land”
September 16, 2023 TIFF 2023 Review: The Echoes of Nature Reverberate in Margreth Olin’s Sensational “Songs of Earth”
September 16, 2023 TIFF 2023 Interview: Alain Parroni on Looking Towards Tomorrow in “An Endless Sunday”
September 15, 2023 TIFF 2023 Interview: Mahalia Belo on a Special Delivery in “The End We Start From”
