November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
August 31, 2024 Telluride Film Fest 2024 Review: A Dog to Walk Leads an Author Out of Writer’s Block in Scott McGehee and David Siegel’s “The Friend”
August 30, 2024 Telluride Film Fest 2024 Review: A Childhood Dream Becomes a Nightmare in the Entertaining “Casa Bonita Mi Amor”
September 3, 2021 Telluride 2021 Review: The Life of a Master Chef Becomes a Feast for the Soul in Julie Cohen and Betsy West’s Delicious “Julia”
September 3, 2021 Telluride 2021 Interview: Matt Dillon on Getting Into a Groove with “El Gran Fellove”
September 3, 2021 Telluride 2021 Review: Emelie Mahdavian’s “Bitterbrush” Looks for Home on the Range
