The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Mia Hansen-Løve on the Personal Awakening of “One Fine Morning”

    Jerome Salle on Courting Cultural Connections in “Kompromat”

    Sundance 2023 Interview: C.J. “Fiery” Obasi on Summoning a Sea Change in “Mami Wata”

  • Reviews
    Reviews

    Sundance 2023 Review: Charlotte Regan’s “Scrapper” is an Endearing Piece of Work

    Sundance 2023 Review: A Mother and Daughter Have Some Growing Up to Do Together in “Girl”

    Sundance 2023 Review: Thembi L. Banks’ “Young. Wild. Free.” Takes Things to Another Level

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”

    A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”

    Francine McDougall on Rolling the Dice with “Sugar & Spice”

  • Trending
    NowWeekMonth

    Lizzie Gottlieb on Making One for the Books in “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    Ursula Liang on a Straight Shooter Who Took on the World in “Jeanette Lee Vs.”

    Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"

    Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

    Tallie Medel in "Jules of Light and Dark"

    Austin Film Fest ’18 Review: Personal Truths Shine Through in Daniel Laabs’ Moving “Jules of Light and Dark”

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Slamdance 2012

Slamdance 2012

Slamdance ’11 Review: “Bindlestiffs,” a Raunchy High School Comedy So Wrong It’s Right

Andrew Edison's raucous debut is clearly the work of immature kids who may or may not have even graduated with GEDs, but that's why it's great.
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Shannon Harper in Keith Miller's "Welcome to Pine Hill"
Slamdance 2012

Slamdance ’11 Interview: Keith Miller on the Grand Jury Sparky Award-Winning Drama “Welcome to Pine Hill”

The writer/director of the drama that took home this year's top prize at Slamdance talks about letting reality spill into his story of an African-American man whose life takes a turn for the worst as he's trying to put himself on the right track.
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Slamdance 2012

Slamdance ’11 Interview: Daniel Martinico and Hugo Armstrong on the Method to the Madness of “OK, Good”

Friends from childhood, the star and director of the unsettling Slamdance satire about a working actor driven to madness when his phone doesn't ring talk about the inspiration of the Mekas brothers and doing the limbo of show business.
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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