Marlo McKenzie and Jonathan Parker on an Unlikely Feminist Icon Shaking Things Up in “Carol Doda Topless at the Condor”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTribeca Film Festival·2 min readTribeca 2022 Review: A Safe Space Falls Apart Morally if Not Structurally in Natalia Sinelnikova’s “We Might as Well Be Dead”
ReviewsTIFF·2 min readTIFF 2023 Review: “The Teacher” Outlines a Conflict That Leaves Everyone as Prisoners of War
ReviewsSundance·2 min readSundance ’19 Review: Praise the Lord for Samantha Buck and Marie Schlingmann’s Sensational “Sister Aimee”
CannesReviews·3 min readCannes 2023 Review: A Conversation About Cinema’s Future Breaks Out of Lubna Playoust’s “Room 999”
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: The Unseen Costs of Labor Are Richly Observed in Loira Limbal’s “Through the Night”
BerlinaleReviews·2 min readBerlinale 2021 Review: The Dehumanizing Reality of War is Exposed in Dénes Nagy’s “Natural Light”
ReviewsSundance·2 min readSundance 2024 Review: “The Battle of Laikipia” Outlines a Conflict Where the Cows Can’t Come Home
ReviewsTribeca Film Festival·3 min readTribeca ’15 Review: “Tom Swift and His Electric Rifle” is a Stunner in More Ways Than One
ReviewsVenice Film Festival·2 min readVenice Film Fest 2020 Review: A Truly Radical Coming-of-Age Story Unfolds in Julia Von Heinz’s Urgent “And Tomorrow the Entire World”
Reviews·2 min readReview: Finding the Humor in the Tears of a Clown in Álex de la Iglesia’s “The Last Circus”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”