September 6, 2024 TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
September 5, 2024 TIFF 2024 Interview: Mick Robertson and Margaret Rose on the Tensions in Between “Every Other Weekend”
September 6, 2024 TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
September 5, 2024 TIFF 2024 Interview: Mick Robertson and Margaret Rose on the Tensions in Between “Every Other Weekend”
June 27, 2024 DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
June 17, 2024 Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
June 13, 2024 Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
June 12, 2024 Tribeca 2024 Review: “Emergent City” Brings Urgency to a Slow-Motion Socioeconomic Crisis
June 9, 2024 Tribeca 2024 Review: Faith Pays Off in Time for “Sabbath Queen,” a Riveting Religious Odyssey
June 8, 2024 Tribeca 2024 Review: A Pair of Scientists Take a Course in Gender Studies in Celina Murga’s “The Freshly Cut Grass”
June 8, 2024 Tribeca 2024 Review: Fernando Andrés’ Deviously Appealing “Rent Free” Will Live in Your Head
June 7, 2024 Tribeca 2024 Review: Nesa Azimi’s “Driver” Steers Towards a Reckoning in the Trucking Industry
June 7, 2024 Tribeca 2024 Review: Xinyan Yu & Max Duncan’s Fascinating “Made in Ethiopia” Details the Domino Effect of Economic Development