Outfest

July 13, 2023

Outfest 2023 Interview: Carolina Costa on Opening Up to the Transcendent in “Ecstasy”

July 28, 2022

Outfest 2022 Review: A City Council Seat Becomes an Opportunity to Take a Stand in “A Run for More”

July 19, 2022

Outfest 2022 Interview: Harry Dodge, Steak House and Silas Howard on the Against All Odds Production of “By Hook or By Crook”

August 14, 2021

Bo McGuire on Tending to the Inflamed Passions of “Socks on Fire”

August 27, 2020

Outfest 2020 Review: A Broken Perspective is Pieced Back Together in Suzanne Guacci’s Tender “T11: Incomplete”

August 24, 2020

Outfest 2020 Review: The LGBT Community Heals from a War of Words in Patrick Sammon & Bennett Singer’s Energizing “Cured”

August 22, 2020

Outfest 2020 Review: Theater Kids Face a Complicated Reality in Jonathan Wysocki’s Winning “Dramarama”

August 22, 2020

Outfest 2020 Review: Matthew Fifer and Kieran Mulcare’s Evocative “Cicada” Moves at Its Own Speed

July 28, 2019

Outfest ’19 Review: James Sweeney’s “Straight Up” Is Cool to the Touch Yet Bursting with Heart

July 18, 2019

Outfest ’19 Interview: Mike Doyle on Making Progress with “Sell By”

July 22, 2018

Outfest ’18 Interview: Alina Skrzeszewska on Taking a Different View Towards Skid Row in “Game Girls”

July 21, 2018

Outfest ’18 Interview: T Cooper on the Weight of Lifting Up the Transgender Community with the Bodybuilding Doc “Man Made”