June 8, 2026 Tribeca 2026 Review: An Old Haunt Lays the Foundation for Lindsay Calleran’s Brilliantly New Father-Daughter Drama “Caity”
June 7, 2026 Tribeca 2026 Review: Presidential Impersonations Reflect a Funny Political Reality in “Playing POTUS”
June 8, 2026 Tribeca 2026 Review: An Old Haunt Lays the Foundation for Lindsay Calleran’s Brilliantly New Father-Daughter Drama “Caity”
June 7, 2026 Tribeca 2026 Review: Presidential Impersonations Reflect a Funny Political Reality in “Playing POTUS”
October 4, 2020 New York Film Fest 2020 Review: A Fire Can’t Be Extinguished in Dea Kulumbegashvili’s Searing “Beginning”
October 3, 2020 New York Film Fest 2020 Review: The Justice System Goes on Trial in Steve McQueen’s Captivating Court Drama “Mangrove”
September 28, 2020 New York Film Fest 2020 Review: A Fear of Mediocrity is Expressed Masterfully in Chaitanya Tamhane’s “The Disciple”
September 25, 2020 New York Film Fest 2020 Review: A Metropolis That Works for All Takes Work in Frederick Wiseman’s Illuminating “City Hall”
September 21, 2020 New York Film Fest 2020 Review: “MLK/FBI” Interrogates and Demonstrates the Great Power of Images
September 18, 2020 New York Film Fest 2020 Interview: Tayler Montague on Shedding Light on “In Sudden Darkness”
September 17, 2020 New York Film Fest 2020 Review: A Night to Remember in a Forgotten Time in Steve McQueen’s Exuberant “Lovers Rock”
October 9, 2019 New York Film Festival ’19 Review: A Surgeon Operates in a Brave New World in “Born to Be”
October 6, 2019 New York Film Fest ’19 Interview: Kantemir Balagov on Capturing the New Reality of “Beanpole”
October 4, 2019 New York Film Fest ’19 Interview: Joanna Arnow on the Uncertain Ground Between Land and Sea in “Laying Out”
September 29, 2018 New York Film Fest ’18 Interview: Nicole Perlman on Entering a Whole New World with “The Slows”
October 16, 2016 NY Film Fest ’16 Interview: Shirley Abraham & Amit Madheshiya on Transporting Audiences with “The Cinema Travellers”
