February 16, 2025 Berlinale 2025 Review: Mehmet Akif Büyükatalay’s “Hysteria” is a Taut Tale of the Tape
February 16, 2025 Berlinale 2025 Review: Fernando Eimbcke’s “Olmo” Delightfully Shows a Responsibility to Being a Kid
February 16, 2025 Sundance 2025 Review: Cherien Dabis Pieces Together an Emotional Powerhouse in “All That’s Left of You”
February 15, 2025 Berlinale 2025 Review: Michel Franco’s “Dreams” Imagines a Different Kind of Border Crossing
February 16, 2025 Berlinale 2025 Review: Mehmet Akif Büyükatalay’s “Hysteria” is a Taut Tale of the Tape
February 16, 2025 Berlinale 2025 Review: Fernando Eimbcke’s “Olmo” Delightfully Shows a Responsibility to Being a Kid
February 16, 2025 Sundance 2025 Review: Cherien Dabis Pieces Together an Emotional Powerhouse in “All That’s Left of You”
February 15, 2025 Berlinale 2025 Review: Michel Franco’s “Dreams” Imagines a Different Kind of Border Crossing
May 2, 2023 Hot Docs 2023 Review: “Razing Liberty Square” Builds a Strong Case for How Communities Are Destroyed
May 1, 2023 Hot Docs 2023 Review: “Who’s Afraid of Nathan Law?” Captures the Evolution of a Political Revolution
April 29, 2023 Hot Docs 2023 Interview: Lukasz Konopa and Emil Langballe on Reenvisioning What is Justice in “Theatre of Violence”
April 26, 2023 Hot Docs 2023 Interview: Christian Einshøj on Getting to a Place with His Family He Couldn’t Reach on His Own in “The Mountains”
May 3, 2022 Hot Docs 2022 Review: The Power of a Family Secret Shifts from the Keepers to Those Willing to Expose It in Jasmin Mara López’s “Silent Beauty”
May 1, 2022 Hot Docs 2022 Review: A Murder Exposes a Web of Corruption in “The Killing of a Journalist”
April 30, 2022 Hot Docs 2022 Review: A Strand of DNA Unravels Into a Fascinating Yarn in “Make People Better”
April 29, 2022 Hot Docs 2022 Interview: Nils Gaup on Painting a Different Picture of His Native Norway in “Images of a Nordic Drama”
May 1, 2021 May Bjerre Eiby and Louise Detlefsen on a Different Way to Look at Treating Dementia in “It Is Not Over Yet”