April 6, 2026 Beyond Fest 2026 Review: Daniel Goldhaber and Isa Mazzei’s “Faces of Death” Unmasks a Uniquely Modern Villain
April 5, 2026 SXSW 2026 Review: “The Last Critic” Starts a Conversation With One of Music’s Fiercest Champions
April 5, 2026 SXSW 2026 Review: There’s No Clean Getaway From This Crime in the Crafty “I Got Bombed at Harvey’s”
April 6, 2026 Beyond Fest 2026 Review: Daniel Goldhaber and Isa Mazzei’s “Faces of Death” Unmasks a Uniquely Modern Villain
April 5, 2026 SXSW 2026 Review: “The Last Critic” Starts a Conversation With One of Music’s Fiercest Champions
April 5, 2026 SXSW 2026 Review: There’s No Clean Getaway From This Crime in the Crafty “I Got Bombed at Harvey’s”
June 19, 2020 Review: A Family Crisis Comes Into Focus in Miles Hargrove’s Riveting “Miracle Fishing”
June 19, 2020 AFI Docs 2020 Review: Knowledge is Power in Julia Reichert and Steve Bognar’s Rousing “9to5: The Story of a Movement”
June 15, 2020 AFI DOCS 2020 Review: A Wide Open Election Brings Focus to the Issues Facing Chicago – and America – in Steve James’ Masterful “City So Real”
November 20, 2019 AFI Fest ’19 Interview: Bartosz Bielenia and Jan Komasa on Finding the Faith Within Themselves to Make “Corpus Christi”
November 19, 2019 AFI Fest ’19 Review: A Homecoming for “Ivana the Terrible” Leads to a Wonderful Comedy
November 17, 2019 AFI Fest ‘19 Review: Words Have Power In Sofia Bohdanowicz and Deragh Campbell’s “MS Slavic 7”
November 17, 2019 AFI Fest ‘19 Interview: Alexandra Kotcheff and Hannah Leder on the Seeds for “The Planters”
November 12, 2018 Interview: Dominga Sotomayor on Making Memories with Cinema in “Too Late to Die Young”
November 8, 2018 Interview: Stephanie Wang-Breal and Eliza Hook on Setting Off a New Discussion Around Sex Trafficking with “Blowin’ Up”
November 12, 2014 AFI Fest ’14 Interview: Amy Everson and Jason Banker on Weaving an Indelible Experience with “Felt”
