October 5, 2026 Beyond Fest 2026 Review: A Fierce George MacKay Leads Paul Wright’s Propulsive “Mission”
October 3, 2026 New/Next Festival 2026 Review: Harrison Atkins’ Unnerving “Sour Minnows” Slips Into the Psyche
October 3, 2026 New/Next Fest 2026 Review: A Young Girl Learns to Move Mountains in Mylissa Fitzsimmons’ Poignant “Mackenzie”
October 5, 2026 Beyond Fest 2026 Review: A Fierce George MacKay Leads Paul Wright’s Propulsive “Mission”
October 3, 2026 New/Next Festival 2026 Review: Harrison Atkins’ Unnerving “Sour Minnows” Slips Into the Psyche
October 3, 2026 New/Next Fest 2026 Review: A Young Girl Learns to Move Mountains in Mylissa Fitzsimmons’ Poignant “Mackenzie”
November 10, 2022 AFI Fest 2022 Review: A Community of Watchmakers Plot Other Kinds of Revolutions Per Minute in Cyril Schäublin’s “Unrest”
November 11, 2021 AFI Fest 2021 Interview: Nabil Ayouch on the Revolutions Per Minute of “Casablanca Beats”
November 2, 2020 Interview: Arie and Chuko Esiri on Not Losing Sight of Life in the City in “Eyimofe (This is My Desire)”
October 18, 2020 AFI Fest 2020 Review: The Punishment Doesn’t Fit the Crime in Julia Hart’s Inventive Thriller “I’m Your Woman”
October 17, 2020 AFI Fest 2020 Review: A Great Escape Becomes Child’s Play in “The Boy Behind the Door”
October 17, 2020 AFI Fest 2020 Review: A Romance Takes Time in Angel Kristi Williams’ Seductive “Really Love”
June 24, 2020 AFI Docs 2020 Review: Maia Lekow and Christopher King Open Up a Wild Tale with “The Letter”
June 23, 2020 AFI Docs 2020 Review: Sebastian Junger and Nick Quested’s “Blood on the Wall” Reveals How the U.S./Mexico Border Crisis Started From the Outside
June 21, 2020 AFI DOCS 2020 Review: A Politician is Shown Truly Moving the Needle in “Jimmy Carter: Rock ‘N’ Roll President”
June 21, 2020 AFI Docs 2020 Review: A Musician Gives Voice to a Community Grappling with Violence in “Freedia Got a Gun”
